Abstract:

This qualitative study examines themes of memory, guilt, and familial reconciliation in Anita Desai’s Clear Light of Day (1980) [1], analysing the emotional trajectories of Bim, Raja, Tara, and Baba through psychoanalytic and feminist lenses. Through close textual readings—paying attention to memory sequences, narrative silences, and shifting temporal perspectives—it explores how the novel portrays reconciliation as a deeply emotional process rather than one of overt resolution. Drawing on Freudian melancholia, Sartrean existential responsibility, and feminist theories of emotional labour, the analysis highlights the gendered asymmetries in emotional labour and the psychological labour of remembrance. It argues that Clear Light of Day affirms the value of internal reconciliation—mediated through shared memory and emotional acknowledgement—as a feminist act of relational recovery within a patriarchal family structure.

Keywords:

Anita Desai, Clear Light of Day, psychoanalysis, Freudian melancholia, mourning, repression, feminist criticism, emotional labour, memory, guilt, reconciliation, Partition, Old Delhi, family dynamics, silence, forgiveness, relational ethics.

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