International Journal of Contemporary Research in Multidisciplinary

Indian cinema's portrayal of women has been a fascinating metamorphosis. Early films offered idealized housewives and paragons of virtue within the domestic sphere. Romantic narratives often relegated women to the role of damsels in distress, rescued by valiant heroes. However, the winds of feminism have begun to reshape this landscape. Feminist film theory, which critiques how women are represented on screen, provides a valuable lens to analyze these shifts. This study delves into Kiran Rao's "Laapataa Ladies" (2024) through this very lens. Employing a film analysis methodology, we will dissect the film's portrayal of female characters, particularly focusing on how they challenge or reinforce traditional stereotypes. By examining their agency, desires, and struggles within the narrative, we can glean valuable insights into the evolving conversation about gender representation in contemporary Indian cinema.